Oscar Wilde Essays - Oscar Wilde, Jane Wilde, Oscar,

Oscar Wilde Oscar Fingal O'Flahertie Wills Wilde was born in Dublin Ireland on October 16, 1854. He is one of the most talented and most controversial writers of his time. He was well known for his wit, flamboyance, and creative genius and with his little dramatic training showing his natural talent for stage and theatre. He is termed a martyr by some and may be the first true self-publicist and was known for his style of dress and odd behavior. Wilde, 1882 His Father, William Wilde, was a highly accredited doctor and his mother, Jane Francesca Elgee, was a writer of revolutionary poems. Oscar had a brother William Charles Kingsbury along with his father's three illegitimate children, Henry, Emily, and Mary. His sister, Isola Emily Francesca died in 1867 at only ten years of age from a sudden fever, greatly affecting Oscar and his family. He kept a lock of her hair in an envelope and later wrote the poem ?Requiescat' in her memory. Oscar and his brother William both attended the Protora Royal School at Enniskillen. He had little in common with the other children. He disliked games and took more interest in flowers and sunsets. He was extremely passionate about anything that had to do with ancient Greece and with Classics. Wilde during school years In 1871, he was awarded a Royal School Scholarship to Trinity College in Dublin and received many awards and earned the highest honor the college offered to an undergraduate, the Foundation Scholarship. In 1874, he also won the College's Berkley Gold Medal for Greek and was awarded a Demyship to Magdalen College, Oxford. After graduating from Oxford, Oscar moved to London with his friend Frank Miles, a well-known portrait painter of the time. In 1878 his poem Ravenna was published, for which he won the Newdigate poetry prize. In 1881, he published his first collection of poetry ?Poems', which was well liked by critics. In late 1881, Oscar left to travel across the United States and deliver a series of lectures on ? the aesthetics?, the belief that to create a sense of beauty was more important than anything else. The trip was only planned to last four months but instead lasted nearly a year with Oscar giving nearly three times as many lectures as planned. He met Henry Longfellow, Oliver Wendell Holmes and Walt Whitman, on which he made a good impression. During this time he arranged for his play Vera to be staged in New York. The play was cancelled during rehearsal due to it concerning Nihilism in Russia which was delicate subject matter at the time and in New York it closed after only a week. Oscar was married on May 29, 1884 to Constance Lloyd and they had two sons, Cyril and Vyvyan. He was extraordinarily fond of his children, although he did not spend much time with them Constance with son Cyril In 1887, Oscar accepted a position at a magazine called The Woman's World which he was to help revitalize, but quit in 1889. He wrote about the folklore and superstition of Ireland. He published the prose The Happy Prince and Other Tales in 1888, which he wrote for his sons. He wrote the essay The Decay of Lying in 1889. Oscar's first play Dorian Gray Opened in 1890 and was later expanded and published as a book The Picture of Dorian Gray in 1891. The story is about moral decadence and is distinguished for its brilliance. Dorian, a man of extraordinary beauty is painted by a friend and he wishes he remain as in the portrait and that it bear his sins. Dorian goes on to lead a wicked life and kills himself in the end. The process of corruption in the story is fully described and the shocking conclusion commits to a moral stand against self-debasement. Its subject of criminal deviance and lack of morality caused public outrage and the play made very little money. In 1891 two of his prose were published The House of Pomegranates, which he also wrote for his sons and Lard Arthur Savile's Crime and Other Stories. Over the next few years many of Oscar's plays were produced. Salome was a drama about obsessive passion written in

Boy in the Stripped Pajamas Movie vs. Book Essay Example

Boy in the Stripped Pajamas Movie vs. Book Essay Example Boy in the Stripped Pajamas Movie vs. Book Paper Boy in the Stripped Pajamas Movie vs. Book Paper This story Is both a tragic and extremely depressing book and a movie called The Boy In the Stripped Pajamas. The book and movie were both absolutely fantastic and were very much alike, but they still had some differences. The few differences between the movie and the book was, the ending of the book and movie, the perspective In which they were both told In, One of the major differences between the book and movie is the ending of each of them. The endings are different in one major way and that is about people dying. In act the ending of the book is much more depressing then the end of the movie because both of the boys die in the book. In the end of the book Bruno cares so much about his friend on the other side of the fence that he climbs the fence and enters the camp. He enters the camp to help the little Jewish boy find his dad, but instead something horribly tragic happens. Bruno gets mistaken by the Nazis as a Jewish boy and is thrown in the gas chamber on accident. The ending of the book is super heartbreaking; however, the end of the movie isnt as depressing but is still ere sad. In the end of the movie Bruno sneaks under the fence to help the Jewish boy find his dead, but is later hung. Another major difference between the movie and book is the perspective in which each is told in. The movie was definitely much easier to comprehend then the book because the movie you get to watch everything that happens, but the book Is told from a better perspective. The movie is told from an outside person so It makes it difficult to grasp how the characters are feeling, which also makes it difficult to put ourselves in the characters shoes. The novel Is much easier to understand and relate to because it is told from Bruno. Since It Is told from Bruno you can really grasp the story a lot better because you feel Like you are going through what Bruno Is. Also since It Is told from Bruno you get to know how he Is feeling and It makes It a lot easier to relate to, letting you understand the Internal struggle he goes through. I think that the book Is more effective because It Is told from Bruno, so you basically eel Like you are going through what he Is. The book, The Boy in the Stripped Pajamas was by far one of the best books I have read. It really opened my eyes, teaching me to be grateful for the life that I have. The movie was really great to, but the book was definitely better in so many ways. I en KICK Ana teen movie were extremely close to Delve teen same out tender were a Tee things that were different. The few things that were different, included, the ending of the book and movie, the perspective in which they were both told in

An Introduction To Sequences In Mathematics English Language Essay

An Introduction To Sequences In Mathematics English Language Essay This is an introduction to sequences. In mathematics, that is, discrete mathematics have learned about sequences, which is an ordered list of elements. The sequences is about arrangement of objects, people, tasks, grocery items, books, movies, or numbers, which has an ‘order’ associated with it. Like a set, it contains members and the number of terms. This members is called elements or terms and the number of terms is also called the length of the sequences. Sequences having a natural numbers. There are all even numbers and odd numbers. This usually defined according to the formula: Sn = a, function of n = 1,2,3,†¦a set A= {1,2,3,4} is a sequence. B = {1,1,2,2,3,3,} is though the numbers of repeating. There are specific sequences that have their own formulas and methods for finding the value of terms, such as arithmetic and geometric sequences. List of numbers, finite and infinite, that follow some rules are called sequences.P,Q,R,S is a sequences letters that diff er from R,Q,P,S, as the ordering matters. Sequences can be finite or infinite. For this example is finite sequence. For example of infinite is such as the sequence of all odd positive integers (1,3,5,†¦.). Finite sequences are sometimes known as strings or words, and infinite sequences as streams. The empty sequence ( ) is included in most notions of sequence, but may be excluded depending on the context. In this topic means sequences, there are covered about indexing, operation on sequences, sequences of integers, subsequences, increasing, decreasing, nonincreasing, nondecreasing, sigma notation, and pi notation. Besides that, in this topic also discuss about changing the index and limit in sum. Background A sequences was created by Leonardo Pisano Bigollo (1180-1250). Pisano means â€Å"from Pisa† and Fibonacci which means son of Bonacci. He known as by his nickname, Fibonacci. He was born in Pisa which is now part in Italy, the city with the famous Leaning Tower. He p layed important role in reviving ancient methematical skills, as well as making significant contributions of his own. He was known for a great interset in math. Because of the Fibonacci Series, He is most known. A series of numbers approaching nature reality. For example, 1, 1, 2, 2, 3, 5, 233, 300, 377, †¦The sum of the 2 preceding numbers are from each succeding number. Fibonacci was a member of the Bonacci family and traveled all around the Mediterranean as a boy. He traveled with his father who held a diplomatic post. To excel in solving a wide variety of mathematical problems, His keen interest in mathematics and his exposure to other cultures allowed Fibonacci. Fibonacci is probably best known for discovering the Fibonacci sequence. Besides that, A sequences is also was created by Leonardo Fibonacci. He is the Italian mathematician. He also known as Leonardo of Pisa, documented the mathematical sequences often found in nature in 1202 in his book, â€Å"Liber Abaci† which means â€Å"book of the abacus†In the sequences, each number is sum of two numbers, such as 1 + 1 = 2, 1 + 2 = 3, 2 + 2 = 4, and so on. That sequence can be found in the spirals on the skin of a pineapple, sunflowers, seashells, the DNA double helix and, yes, pine cones.

Sex, love and romance research paper Essay Example | Topics and Well Written Essays - 2000 words

Sex, love and romance research paper - Essay Example LeAnn Rimes makes her first assertion here. In the slew of â€Å"unsuitable† dates who turn up - the â€Å"cell-phone junkie†; the Emo youth, complete with black flowers; an impressionable-looking, eager young man – Rimes shows her viewers, her fans the implausibility of finding true love by searching for it in such an obvious manner. Online dating is most definitely not the way to go, according to the song, if you are looking for the â€Å"butterflies†. One might as well dream about dating their teddy bears. The teddy bear also assumes a symbolic role here. To the archetypal lonely girl and/or woman, her teddy bear becomes a symbol of the security and warmth of a relationship. She wants her man to be as considerate, gentle, funny and thoughtful as her teddy bear would be, were he a real man. This video shows this quite plainly in the form of the girl’s dream of her date with the bear who makes her laugh, makes her feel desired, who is in short, The Perfect Gentleman. Research on romantic love and its construction reveals that heterosexual love, which is the only mode of sexuality touched upon in this song, is heavily â€Å"scripted†. Romance novels go a long way in strengthening these already established theories about love: According to publishers surveys, romance novels are read by almost 40 million American women. They account for 56 percent of mass-market paperback sales in the United States. More than 2,200 new titles are published every year. Romance novels aimed specifically at adolescents have been sold through school book clubs since about 1980, gaining in popularity every year. Although most romance novels are published in the United States, England and Canada, their readership is global (Puri, 1997). (Sex, Love and Romance, p. 265) The basic moral that runs through a typical romance novel is no matter how hard a man is from the outside, inside

Racial issues in Cleveland, Ohio Personal Statement

Racial issues in Cleveland, Ohio - Personal Statement Example The board worked with labor unions, civil rights groups, as well as industries with the sole aim of improving the conditions of black employees. Federal and state officials first opposed this idea as they deemed that it would lead to chaos. They believed that the formation of this board would herald tensions in most parts of the United States (Miller & Anthony 20-190). Accomodationism refers to having a belief that dwells on having a common ground in people who have a similar belief in supernatural beings. The black leaders who supported the actions undertaken by opposing groups had a phenomenal impact on the fight against racial profiling. These leaders led groups of blacks in addressing the issues faced by the African Americans. In Cleveland, accommodationism ensured that African Americans presented their grievances to the relevant authorities. This strategy succeeded as religious leaders used the church to address the problems faced by the blacks. Under the umbrella of religion, black leaders were able to address the concerns of African Americans (Miller & Anthony

A modest Proposal Essay Example for Free

A modest Proposal Essay In the text ‘A modest Proposal† Jonathan Swift is proposing a ludicrous idea that the Irish should result to cannibalism and eat their own children to solve the problem of famine and overpopulation in their country. The purpose of this text is to attack the ignorance of the desperately poor people’s situation of that time, as well as making fun of other ideas that people have proposed to solve the big problems in society, and people are proposing ludicrous ideas and thinking they are practical. The whole text is written satirically, and this begins with a paradox in the title. The title suggests that is proposal is modest, and after reading the fist several lines, we see that this is undoubtedly not modest. While reading the start of â€Å"A Modest Proposal’ the audience thinks that Swift is going to suggest that they kill the children, but however reverses it to cannibalism, this can be classified as an anti-climax. Swift also lists the advantages and perks that this strategy will have and presents it in a very logic way The origin of the technique understatement is the witty language that is used is so subtly in this text that the awful and horrible aspects of the proposal are masked and therefore, are almost overlooked by the reader. This is seen in the line; â€Å"a young healthy child well nursed is at a year old a most delicate, nourishing, and wholesome food, whether stewed, roasted, baked, or boiled. And I make no doubt that it will equally serve in a fricassee or a ragout† the tone of this is so casual, causing confusion to the reader. There is use of Black humor throughout this text, although it does not put an overly ‘gore’ image into the readers head, the thought of cannibalism is disturbing. There is many examples of black humor, one instance; â€Å"That the remaining hundred thousand may, at a year old, be offered in the sale to the persons of quality and fortune through the kingdom; always advising the mother to let them suck plentifully in the last month, so as to render them plump and fat for a good table† There is a serious statement that contradicts all that Swift has said, Therefore I repeat, let no man talk to me of these and the like expedients, till he hath at least some glimpse of hope that there will ever be some hearty and sincere attempt to put them into practice†. This is to add emphasis on the fact that there are many other proposals that people have written that haven’t been taken seriously. This leads to the reader to conclude that the whole text has been ironic as Swift has suggested something he means the opposite of, thus that he hopes that the situation in Ireland doesn’t lead to this. This is the techniques of Burlesque being used throughout the text, as the preposterous ideas that some people have put forward are being mocked and vulgarized. After analyzing ‘A Modest Proposal’ it is evident that writing language is the main use of satire in this text, this along with ironic exaggerations, sarcastic comparisons and stinging overtone, creates the effect that this text leaves on the reader.

Death in Venice Essay: Love for Tadzio or Venice? -- Death in Venice E

Aschenbach: In love with Tadzio, or Venice? Thomas Mann's Death in Venice presents an artist with a fascination for beauty that overpowers all of his senses. Aschenbach's attraction to Tadzio can be viewed as a symbol for his love for the city of Venice. The city, however, is also filled with corruption, and it is this corruptive element that kills him. Aschenbach first exhibits his love for Venice when he feels that he must go to "one of the gay world's playgrounds in the lovely south"(6). The south, to him, means something new and exciting. He has lived a structured life in Germany, filled with order and precision. He feels the need to move, to experience new and different aspects of life; since for Aschenbach, "there is no doubt that the south will bring him the fulfillment of his wish for self-release"(Jonas 35). Upon his arrival, Aschenbach immediately "drinks in the fabulous beauty" of the city. He notices a distinct difference between this foreign land and his homeland, for Venice is filled with antiquity and classical beauty. Aschenbach's love for the city is already app... ...captivated by it. He is so enthralled, that he does not realize the problems with the Italian city. Whether Mann is actually attacking Venice or Italy for the corruption of its beauty is a possibility, but not very important here. What is most important is to realize that Mann is discussing an infatuation with beauty in general, not an infatuation with a boy. Aschenbach does not die because of Tadzio, he dies because of what the boy represents. The novella is titled so for a reason; it is a Death in Venice, or rather a "Death Because of Venice".

The Hummer Campaign: An Overview

OVERVIEW When General Motors Corporation (GM) acquired the commercial marketing rights to the Hummer truck, the civilian version of the U. S. Army’s Humvee, it faced the challenge of promoting a vehicle that was never intended to be sold in high numbers. Part of the solution was to design smaller, less-expensive versions, the H2 and H3, but much of the success would have to depend on the marketing. Rather than turning to a roster of ad agencies it usually worked with, GM hired a young Boston creative boutique, Modernista! , in 2000. The initial goal of the $35 million campaign, begun in August 2001, was to establish Hummer as a luxury brand. Thus, images ofmud-splatteredHummers that played up the vehicle’s off-road capabilities were scrapped in favor of shots that made it seem jewel-like. Once the brand was repositioned, the marketers’ goal was to pitch the lower-priced H2 and H3 to a wider market, hopefully to more women. Factors such as rising gas prices and the perception that the Hummer was oversized for most consumers proved to be major hurdles for the marketers. However, by the end of 2003 the campaign had succeeded in redefining the Hummer brand, and with the introduction of the H3 in 2005, the marketers took on a new challenge: selling the Hummer to a mass market. HISTORICAL CONTEXT The Humvee was designed for the U. S. Army in 1979 by AM General Corp. , based in South Bend, Indiana. The 3. 5-ton vehicle became a star of the 1991 Persian Gulf War, spurring consumer demand for a civilian version, which was introduced in 1992 as the Hummer. It catered to an exclusive market, as demonstrated by the fact that Arnold Schwarzenegger was one of the first buyers. The vehicle never received much advertising support; AM General spent less than $1 million on marketing the Hummer in 1999, when it sold about 700 of the trucks. Nevertheless, AM General did enough business to attract the attention of General Motors, and in the end bought the Hummer brand in late 1999. GM signed a seven-year contract with AM General to produce the next generation, GM-designed version, the Hummer H2 sport-utility vehicle (SUV). The agency Modernista! was hired to promote the brand. Prior marketing efforts had played up the military connection and the Hummer’s off-road capabilities, billing the vehicle as ‘‘the world’s most serious 4Ãâ€"4. ’’ Modernista! won the account because it was the only agency that attempted to fashion a wider appeal by going beyond the tough-guy, army-truck image. The principals involved in the campaign did not lack experience in selling cars. Modernista! ’s cofounder, Lance Jensen, had worked with Hummer’s advertising director, Liz Vanzura, when she was at Volkswagen of America and he was with the Boston-based ad agency Arnold Communications. Both played key roles in developing Volkswagen’s award-winning ‘‘Drivers Wanted’’ campaign. Vanzura commented that, while the Volkswagen ads were aimed at ‘‘cool, young people,’’ her new mission was to sell Hummers to ‘‘cool, rich people. ’’ TARGET MARKET Even before hiring Modernista! , GM had done a great deal of market research. According to Ted Evanoff, writing for the Indianapolis Star, ‘‘In 1999 researchers stumbled across the notion that an unlikely cross-section of America—surgeons, dot-com millionaires, rock stars, high school students, corporate execs—prized their individuality. And they regarded the rugged Hummer as a symbol of individuality, especially compared with the typical sport-utility common in suburbia. ’’ Modernista! was given 2,200 pages of market data to distill into an advertising message. The agency was also handed a brand that skewed very much toward males, averaging 50 years in age and with an annual household income of more than $200,000. The target buyer for the less-expensive H2, while still male, was 42 years old on average and had a household income above $125,000. Vanzura told Chris Reidy of the Boston Globe that the coveted audience included ‘‘rugged individualists, adventurous entrepreneurs, and adrenaline junkies. ’’ In other interviews she described the target market as ‘‘successful achievers’’ and ‘‘style leaders. ’’ She also told Evanoff that Hummer had to vie with other purchases the well-to-do might consider, such as yachts or vacation houses, stating, ‘‘We’re really not competing in an automotive category. ’ COMPETITION The yacht, vacation house, and other status symbols notwithstanding, Hummer competed in the luxury-SUV category against other SUVs, including the Lincoln Navigator, Land Rover’s Range Rover, and the Lexus LX 470. But Hummer’s chief opponent was DaimlerChrysler’s Jee p Wrangler. Boasting similar military roots but extending back to World War II, Jeep had defined the SUV category and at its height in 1993 controlled nearly 30 percent of the traditional SUV market. Over the following several years, however, the brand failed had to introduce new models, and its lessexpensive ones faced increasingly stiff competition, resulting in a severe erosion of sales. As long as Hummer was not a direct competitor, DaimlerChrysler took little notice of it, but as soon as GM acquired the right to mass-market the Hummer, DaimlerChrysler recognized the threat at the high end of the SUV category and became determined to hold on to Jeep’s reputation as the premier heavy-duty, off-road brand. The two vehicles had slightly different target markets, however. Jeep appealed to consumers who loved the outdoors and might attend one of the dozens of Jeep Jamboree off-road events held throughout the year. Typical Hummer customers, on the other hand, wanted the off-road capabilities the vehicle had to offer but were more interested in the image it created. They were as likely to drive their Hummers to an upscale mall as up a mountain. MARKETING STRATEGY In preparation for marketing the lower-priced H2, Modernista! instituted a bridge campaign, paid for by AM General, to sell the H1 while repositioning the brand. As Will Uronis, an associate creative director at Modernista! , explained to the Boston Herald ’s Greg Gatlin, ‘‘Hollywood had defined what Hummers stood for—war, explosions and arrogance . . . We just took a look at another facet of the truck. ’’ Jensen added, ‘‘We went out and talked to guys that drove them . . . they don’t all hunt and kill things. ’’ Nevertheless, Hollywood movies had done a good job of making consumers aware of the Hummer. Market research conducted in 1999 indicated that as many as one in five buyers of full-size SUVs considered purchasing the Hummer. The bridge campaign was intended to play to the ‘‘rugged individualists’’ who, research revealed, were attracted to the Hummer and to set the stage for the launch of theH2 by creating an emotional attachment to the brand that transcended the hard-edged image fostered by Hollywood. According to Evanoff, writing in the Indianapolis Star, the promotion of the H1 was intended to create a ‘‘halo’’ over the brand, providing ‘‘the foundation for a brand image that will carry the smaller H2. ’’ The first national ads for the GM-owned Hummer began appearing on August 13, 2001. It was an all-print campaign that featured photographs of the vehicle in lush locales in Chile. Not only did the pictures suggest where the H1, with its off-road prowess, could take the viewer, but they also made the big truck look small. It was the first time Hummer was not portrayed covered in mud or linked to the military. Reinforcing the visual message of the ad was the text, which included the headline ‘‘How did my soul get way out here? ’’ and the concluding text ‘‘Sometimes you find yourself in the middle of nowhere. And sometimes in the middle of nowhere you find yourself. The legendary H1. ’’ Hummer’s longtime tagline, ‘‘World’s most serious 4Ãâ€"4,’’ was replaced by ‘‘Like nothing else. ’’ The four ads ran through the rest of 2001, appearing in such publications as the Wall Street Journal, Barron’s, Esquire, Spin, Wired, and Red Herring. Hummer’s 50 dealers were also encouraged to use the ads created by Modernista! to bring continuity to the brand’s makeover, with some of their media costs being reimbursed by a cooperative advertising program. The H2, based on GM’s Chevrolet Tahoe full-size SUV, was introduced in July 2002. A second model featuring a small pickup bed and a cargo door was supposed to be offered at the same time, but the launch was pushed back, partly because the vehicle needed more work but also as a way to extend the marketing buzz the brand was creating. The new H2, with a base price of $48,000, was about half the price of the H1 and, despite being called the ‘‘baby Hummer,’’ essentially the same size. But it featured a smaller, less noisy gas engine rather than a cumbersome diesel one, and it had comforts and customizable options the H1 lacked but that were expected in a luxury SUV. The introduction of the H2 was supported by another print campaign developed by Modernista! While the ‘‘Like nothing else’’ tagline of the previous ads was retained, the look of the new ads was markedly different, relying on dramatic close-ups set against bold, sky-blue backgrounds. Like the first ads, the new ones ran in a wide range of magazines, with the text tailored to the publication. For example, in the Robb Report, which covered all things luxurious, the text read, ‘‘Excessive. In a Rome at the height of its power sort of way. ’’ The Vanity Fair text read, ‘‘Threaten the men in your office in a whole new way,’’ part of an effort to increase the number of women buying the vehicles. Another ad proclaimed, ‘‘Perfect for rugby moms. ’’ About 10 percent of H1 owners were women, and one goal of the H2 campaign was to increase that number to 25 percent. Outdoor ads were also produced, running in 14 major markets, including New York, Los Angeles, Chicago, and Detroit. Print and outdoor ads were made available for the use of dealers. The first Hummer television ads aired in mid-August 2002. The initial three 30-second spots, intended to romanticize the truck, were shot in Iceland and in Vancouver, British Columbia, and featured both natural and urban locations. They showed friends in a Hummer speeding over the tundra of Iceland or a professional woman weaving through traffic in a city. Set to rock music, the only words in the spots were text statements such as ‘‘Maybe if you can, you will. ’ A second phase of the television campaign played on people’s perception of the Hummer as a gas-guzzling road hog. In one spot a young boy constructed a small wooden version of the Hummer to enter in a soapbox derby, while The Who’s ‘‘Happy Jack’’ played in the background and the little girl next door looked on. At the start of the big race the other boys scoffed at little Jack and his less-than-streamli ned racer, but he prevailed by abandoning the asphalt course, breaking the rules to go cross-country and win the race and the girl. Through the humor of the spot Jack was portrayed not as a blatant cheater but as a heroic iconoclast, offering subliminal reassurance to potential Hummer customers who might feel guilty about buying a vehicle that got about 13 miles to a gallon of gas on the highway. A second Hummer spot, also displaying a tough side, hearkened back to the Asteroids video game of the 1980s, with a spaceship blasting boulders only to confront an indestructible Hummer, which chased the ship off the screen. OUTCOME GM and Modernista! ucceeded in introducing Hummer to a wider market, but after a strong showing in 2003, sales began to tail off, partly because of high gas prices. To regain lost ground, in 2004 GM introduced the H2 SUT (sport-utility truck). This was followed by the unveiling in 2005 of the H3, a midsize Hummer priced from $29,500 to $32,000. Almost 17 inches shorter, 1,700 pounds lighter, and more fuel-efficient at 20 miles per gallon, it was a vehicle GM hoped women and younger drivers wo uld find more appealing. In pitching the vehicle to a mass market, Hummer and Modernista! aced a new task. Putting a positive spin on the challenge, Jensen told Jeremy W. Peters of the New York Times, ‘‘The brand has a lot of different personality levels . . . You can do the serious capability stuff, the real rough-and-tumble rock climbing stuff, the peaceful back-to-nature stuff. ’’ Industry analyst Mary Ann Keller disagreed, telling the New York Times that it was impossible to sell Hummer to the masses: ‘‘How in the world can you possibly fathom that something that looks like a military vehicle is practical for the average driver? ’’

Race, Ethnicity, & Prejudice

Race, Ethnicity, and Prejudice-Online Project At one point in time the U. S. Census defined someone as a â€Å"negro† if they were one-sixteenth black. That is, if one of your sixteen great-great grandparents was of African descent (and the other fifteen were of â€Å"white† European descent), you were defined as â€Å"negro†. In Jamaica, people believed to be of â€Å"pure† African descent are described as black. People who are bi-racial are usually described as â€Å"colored†. In Brazil, there are even more differentiations of those believed to be of African descent.The point of all this is that our definitions are culture-bound and socially constructed. They are, therefore, not particularly scientific and change over time. This does not mean that race and ethnicity have no real meaning. They have meaning because we give them meaning. 1. What method do census enumerators use to classify people according to race? A census enumerator is a person who collects census data. Before 1960, census enumerators were themselves responsible for classifying people according to race. However, in 1960 there was a switch to self-reporting.From this point on, individuals were in control of classifying themselves. It was no longer the census enumerators who classified individuals, but individuals who classified themselves. Census enumerators would just compile the results. 2. Which categories of ethnicity are used by the census bureau? The categories of ethnicity and race used by the census bureau have undergone numerous changes over the years. At first, from 1790 to 1880, the census recorded only â€Å"color. † During this time period it was a person’s skin color that was of importance and there were three categories: White, Black, and Mulatto.The categories expanded in 1890 and consisted of five gradations: Black, Mulatto, Quadroon, Octoroon, and White. It was in 1900 that the word â€Å"race† actually appeared in the ce nsus. The question now asked for each person’s â€Å"color or race. † At this time the census used only two categories: White and Black. It wasn’t until 1950 that the word â€Å"color† was completely dropped and the census only asked for the person’s race. In 1960 people were able to classify themselves. Shortly following the census added the category â€Å"other. In 1977 there were four racial categories established: American Indian or Alaskan Native, Asian or Pacific Islander, Black, and White. Plus there was the â€Å"Other† category. Also, the census added two ethnicity categories: Hispanic origin and Not of Hispanic origin. 3. How have categories changed for the 2000 Census? Since 1977, the racial and ethnic makeup of the country changed significantly. There were no questions as to whether the previous standards still reflected the diversity that was present in the United States. So, with that, the categories for the 2000 census were r evised.The categories now consisted of: American Indian or Alaska Native; Asian; Black or African American; Native Hawaiian or Other Pacific Islander; and White. The category of â€Å"Some Other Race† is also included. In regards to ethnicity, there are two categories: Hispanic or Latino, and Not Hispanic or Latino. Aside from changes in the categories, another significant change for the 2000 census is that respondents are allowed to check off multiple â€Å"race† boxes. 4. What problems do you see with the Census definitions? The diversity in our society is increasing.Putting people in categories is becoming more problematic because the categories are arbitrary; none of the groups have clear or unambiguous boundaries. Classifying people into a certain category is restrictive and doesn’t take into account that â€Å"people classified as â€Å"Asian and Pacific Islander† represent scores of different national and linguistic backgrounds, and â€Å"America n Indian or Alaska Native† includes people from hundreds of different tribal groups† (Healey 13). The census definitions are very limiting and they don’t do diversity justice. Also, there is still no place for a number of groups among the categories listed. For example, where should we place Arab Americans and recent immigrants from Africa? † (Healey 13). I understand that it is unrealistic to have a category for every single group, but we should realize that the definitions used by the census, the classification schemes, have limited utility and application. In addition, there is a growing number of mixed-race individuals for whom there are no categories. Although currently that number is relatively small, it is projected to increase rapidly due to a growing number of marriages across group lines.How should those individuals be classified? Sources: Healey, Joseph F. (2010). Race, Ethnicity, Gender, and Class: The Sociology of Group Conflict and Change. (5th Ed. ). Pine Forge Press, an Imprint of SAGE Publications, Inc. Sweet, Frank W. (2011, Feb. 25). A Brief History of Census â€Å"Race†. Retrieved from http://knol. google. com/k/a-brief-history-of-census-race U. S. Census Bureau, Population Division. Racial and Ethnic Classifications Used in Census 2000 and Beyond. Retrieved from http://www. census. gov/population/www/socdemo/race/racefactcb. html

Naipaul essays

Naipaul essays In V.S. Naipaul's novel, Literary Occasions, he discusses how he came to be an author and what attracted him to this profession. As a result of choosing this occupation, he needed to find out more information on his heritage and his own personal identity. In the section "Prologue to an Autobiography," he recounts how he came to possess this knowledge, especially since his father's family was shrouded in mystery. In the very beginning of the book, in "Reading and Writing," Naipaul states that he wanted to be a writer ever since he was eleven (Literary Occasions 3). However, some may find this unusual considering Naipaul was never an avid reader. At this point, he hadn't developed a passion for writing either. Where did this literary interest come from? Naipaul attributes it to his father and says the involvement was "built up from the little things my father read to me from time to time (Literary Occasions 5)." Naipaul states later that he did not know his father well and the only time spent with him was during Naipaul's impressionable childhood years. The author recounts the manner in which his father read and how it later became his own style: He read in his own way... He read many books at once, finishing none, looking not for the story or the argument in any book but for the special qualities or character of the writer. That was where he found his pleasure, and he could savour writers only in little bursts (Literary Occasions 5). Throughout his schooling and the early years of his career, Naipaul adopted this same method of reading and often found he had trouble losing himself in a book. He doubted his abilities as a writer and struggled for several years with finding a topic that he could write about. Later, he was asked by an American publisher to contribute to a series for travelers on the colony of Trinidad. Realizing he knew very little about his family, he turned to history books and found little more (Literary Occasions...

American Gods By Neil Gaiman Essay Example | Topics and Well Written Essays - 2250 words

American Gods By Neil Gaiman - Essay Example A myth refers to a traditional story accepted as history: it is designed to explain how people observe the world .Mythology therefore refers to the study of these stories and myth which explains the beliefs and practices of a people. American gods by Neil Gaiman is classified as a novel based on myths which formulates a number of concerns of the modern day society in a place whereby the world opinion is that the connection with the gods has been lost and most of what used to be strong spiritual beliefs that guided the society to most individuals has lost their hold on people and meaning. Gaiman gives the readers a combination of present day mythologies whereby the technology, a major characteristic of the modern day society is an important element in the deduction and analysis between the ancient and the modern (Gaiman). STATEMENT OF THESIS The research paper looks at Neil Gaiman novel American Gods and analyses Gaiman’s purpose in American Gods. The main focus of the essay is for the interpretation of Neil Gaiman’s purpose in American gods.The essay invites readers into the center of the book inorder for them to experience it from an insider’s perspective.... The modern gods want to wipe out the ancient gods whom they are of the view that they have lost touch with what the modern society holds true.They do not relate with the modern day individuals and as such cannot help them since they do not have the understanding of what the modern day individuals faces and what he requires.In the novel Shadow is described as strong,large and well built.Shadow was released a few days before his actual release day after the death of his wife,Laura who dies in a car accident.At the funeral he finds that the car crashed because his wife Laura was involved with his friend Robbie who was on the wheel and at the moment of the incident was performing oral sex on him.He accepts the job given to him by Mr. Wednesday who have been offering him a job way before his wife died in an accident. Shadow after the funeral and the realization of his wife’s death circumstances is very frustrated and accepts Mr. Wednesday job offer. While travelling with Mr. Wednes day,Shadow was in his dreams seduced by the Egyptian goddess who is associated with fertility.At the beginning of the novel,Shadow is very much in love with his wife: Shadow kept he fits and learnt how to use tricks on coins and kept reminiscing of his love to his lovely wife Laura. (p.3). Another proof of the love hehad for his wife was the sacrifice to go to prison to protect Laura through this sacrifice as for now is not complete as it does not have his full passivity. Laura displays her husband as a man lacking life and characters,her reason for falling out of love with him; 'I love you,' she said without much passion. She also continues to say that when you are dead you see things in a wider perspective. Shesays that when you go home it’s like she is on her own

Network Security Architecture Research Paper Example | Topics and Well Written Essays - 250 words

Network Security Architecture - Research Paper Example When analyzing the vulnerability of a WLAN, it is crucial to identify the trusted and un-trusted parts. The security edge in the Centralized approach is the WLAN switch. Here, the Access Points lack strong encryption or authentication technology hence making it vulnerable to rogue inappropriate communication between APs. In Distributed Architecture, on the other hand, security is extended to the client devices where strong encryption occurs at both the APs and client devices along with authentication. This makes attacks more difficult because the security edge is closer to the users. In this case, a Distributed Architecture can be considered more superior to the centralized architecture as the APs handle the packets and only traffic management needs to go to and from a central point. Careful planning, implementation and management are needed to eliminate WLAN security risks in an organization. This can be aided by establishing security policies and practices, separating internal networks logically, eliminating unnecessary protocols, protecting wireless devices, restricting AP connections, enabling VPN access only, among other